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With Big Trouble set to go, desperate Columbia executives phoned Universal's Frank Price to get the necessary paperwork. Price was a former Columbia executive who had been fond of the script for Back to the Future during his tenure there. As a result, Universal agreed to trade the Double Indemnity license in exchange for the rights to Back to the Future. Executive Sidney Sheinberg made suggestions to the script, such as changing Marty's mother's name from Meg to Lorraine the name of his wife, actress Lorraine Gary , changing Brown's name from Professor Brown to Doc Brown, and replacing Doc's pet chimpanzee with a dog.

He suggested that the scene with Marty dressed as an alien should have Marty identify himself as 'a space man from the Planet Pluto' [sic] instead of 'Darth Vader from Vulcan', [16] and that the farmer's son's comic book be titled Spaceman from Pluto rather than Space Zombies from Pluto.

Appalled, Zemeckis asked Spielberg for help. Spielberg dictated a memo to Sheinberg convincing him they thought his title was a joke, thus embarrassing him into dropping the idea.

Spielberg used the omitted refrigerator and Nevada nuclear site elements in his film Indiana Jones and the Kingdom of the Crystal Skull. Michael J. With co-star Meredith Baxter on maternity leave, he refused to allow Fox time off to work on a film. Back to the Future was originally scheduled for a May release and it was late when it was learned that Fox would be unable to star in the film. Thomas Howell and Eric Stoltz.

Stoltz impressed the producers enough with his earlier portrayal of Roy L. Dennis in Mask which had yet to be released that they selected him to play Marty McFly. Four weeks into filming, Zemeckis determined Stoltz had been miscast.

Spielberg explained Zemeckis felt Stoltz was not comedic enough and gave a 'terrifically dramatic performance'. Gale further explained they felt Stoltz was simply acting out the role, whereas Fox himself had a personality like Marty McFly.

He felt Stoltz was uncomfortable riding a skateboard, whereas Fox was not. Stoltz confessed to director Peter Bogdanovich during a phone call, two weeks into the shoot, that he was unsure of Zemeckis and Gale's direction, and concurred that he was wrong for the role. Fox's schedule was opened up in January when Baxter returned to Family Ties following her pregnancy. The Back to the Future crew met with Goldberg again, who made a deal that Fox's main priority would be Family Ties , and if a scheduling conflict arose, 'we win'.

Fox loved the script and was impressed by Zemeckis and Gale's sensitivity in releasing Stoltz, because they nevertheless 'spoke very highly of him'. I even dreamed of becoming a rock star.

Lloyd originally turned down the role, but changed his mind after reading the script and at the persistence of his wife. He improvised some of his scenes, [22] taking inspiration from Albert Einstein and conductor Leopold Stokowski.

Crispin Glover played George McFly. Zemeckis said Glover improvised much of George's nerdy mannerisms, such as his shaky hands. The director joked he was 'endlessly throwing a net over Crispin because he was completely off about fifty percent of the time in his interpretation of the character'. Lea Thompson was cast as Lorraine McFly because she had acted opposite Stoltz in The Wild Life ; the producers noticed her as they had watched the film while casting Stoltz.

Thomas F. Wilson was cast as Biff Tannen because the producers felt that the original choice, J. Cohen, wasn't physically imposing enough to bully Stoltz. Had Fox been cast from the beginning, Cohen probably would have won the part because he was sufficiently taller than Fox. Melora Hardin was originally cast in the role of Marty's girlfriend Jennifer, but was let go after Stoltz was dismissed, with the explanation that the actress was now too tall to be playing against Fox.

Hardin was dismissed before she had a chance to shoot a single scene and was replaced with Claudia Wells. Following Stoltz's departure, Fox's schedule during weekdays consisted of filming Family Ties during the day, and Back to the Future from pm to am.

He averaged five hours of sleep each night. During Fridays, he shot from 10 pm to 6 or 7 am, and then moved on to film exterior scenes throughout the weekend, as only then was he available during daytime hours. Fox found it exhausting, but 'it was my dream to be in the film and television business, although I didn't know I'd be in them simultaneously.

It was just this weird ride and I got on. He recalled that because they shot night after night, he was always 'half asleep' and the 'fattest, most out-of-shape and sick I ever was'. Gale explained it would have been impossible to shoot on location 'because no city is going to let a film crew remodel their town to look like it's in the s.

Then we would just totally trash it down and make it all bleak and ugly for the s scenes. Blacker House, while exteriors took place at Gamble House. Filming wrapped after days on April 20, , and the film was delayed from May to August. But after a highly positive test screening 'I'd never seen a preview like that,' said Frank Marshall, 'the audience went up to the ceiling' , Sheinberg chose to move the release date to July 3.

To make sure the film met this new date, two editors, Arthur Schmidt and Harry Keramidas, were assigned to the picture, while many sound editors worked hour shifts on the film.

Eight minutes were cut, including Marty watching his mom cheat during an exam, George getting stuck in a telephone booth before rescuing Lorraine, as well as much of Marty pretending to be Darth Vader. Zemeckis almost cut out the 'Johnny B. Goode' sequence as he felt it did not advance the story, but the preview audience loved it, so it was kept.

Alan Silvestri collaborated with Zemeckis on Romancing the Stone , but Spielberg disliked that film's score. Zemeckis advised Silvestri to make his compositions grand and epic, despite the film's small scale, to impress Spielberg. Silvestri began recording the score two weeks before the first preview. He also suggested Huey Lewis and the News create the theme song. Their first attempt was rejected by Universal, before they recorded 'The Power of Love'. Although it appears that Fox is actually playing a guitar, music supervisor Bones Howe hired Hollywood guitar coach and musician Paul Hanson to teach Fox to simulate playing all the parts so it would look realistic, including playing behind his head.

Fox lip-synched 'Johnny B. The original soundtrack album only included two tracks culled from Silvestri's compositions for the film, both Huey Lewis tracks, the songs played in the film by the fictional band Marvin Berry and The Starlighters and Marty McFly , one of the vintage s songs in the movie, and two pop songs that are only very briefly heard in the background of the film [ citation needed ].

On November 24, , an authorized, limited-edition two-CD set of the entire score was released by Intrada Records. Back to the Future opened on July 3, , on 1, screens in North America. Zemeckis was concerned the film would flop because Fox had to film a Family Ties special in London and was unable to promote the film.

Gale was also dissatisfied with Universal Pictures' tagline 'Are you telling me my mother's got the hots for me? In October , in commemoration for the film's 25th anniversary, Back to the Future was digitally restored and remastered for a theatrical re-release in the US, the UK and Italy. On October 21, , [44] the futuristic date depicted in Part II , the entire trilogy was re-released theatrically for one day in celebration of the film's 30th anniversary.

Back to the Future spent 11 weeks at number one. National Lampoon's European Vacation came out in August and it kicked us out of number one for one week and then we were back to number one.

On review aggregator Metacritic the film received an average score of 87, which indicates 'universal acclaim', based on 12 reviews.

The website's consensus reads: 'Inventive, funny, and breathlessly constructed, Back to the Future is a rousing time-travel adventure with an unforgettable spirit.

Ebert commented '[Producer] Steven Spielberg is emulating the great authentic past of Classical Hollywood cinema, who specialized in matching the right director Robert Zemeckis with the right project. Kaplan were nominated for Best Sound Mixing. Back to the future. Retour vers le futur Trilogie Multi p HDlight. Seeders: 14 Leechers: 3. Torrent 8. Jennifer, Marty va devoir entreprendre un voyage vers le futur , pour tenter de donner un peu plus Seeders: 58 Leechers: 8. Torrent Seeders: 52 Leechers: 8.

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